It’s May. How did that happen?! Anyway, taking a look at the TH blog I’m reminded of why I never kept a diary: that the minute there’s anything interesting going on in your life, there’s no time to write about it (professional diarists excepted, of course). Anyway, the point is, if you judged from our blog you’d imagine this has been a quiet year for us, whereas it’s probably been the most busy we’ve been since we set up shop together almost nine years ago. So, now that we’ve almost reached 2016’s mid-point, I thought I’d capture some of the highlights.
What you will have seen here, of course, is a lot of cross-posting from Angel Academe. For those out of the loop, AA is our network of largely (though not exclusively) female angel investors, set up as part of Sarah’s mission to encourage more female HNW’s to invest – and invest specifically in female-founded tech start-ups. So far it’s been quite a year for us. Among other things we’ve: screened close to 100 business; held our first 2016 pitch-based “studio” event (with another one right round the corner); closed three funding rounds since January, with another three in the pipeline; and run the second of our Investor Academe workshops for those new to angel investing. We also launched the third year of Entrepreneur Academe, the mentoring programme we run on behalf of the City of London.
For details on all our Angel Academe, Investor Academe and Entrepreneur Academe work, check out the AA website. Many thanks to our sponsors for their continued support of our work: Thomson Reuters, haysmacintyre, Kingsley Napley and of course the City of London.
Our big consultancy gig of the year has been working with the fabulous Wales Millennium Centre on their digital strategy. We’ve been in Cardiff pretty much every week since January, really getting under the skin of the organisation (as is our wont), and figuring out what it really needs to achieve through digital means. It’s a crucial point for the organisation as it begins to commission its own work alongside the work it does as a presentation house. If the musical Only the Brave, which we were lucky enough to catch during its inaugural run, is anything to go by, then there’s an exciting future ahead for the Centre, and we’re delighted to pay even a small part in that.
We’ve been doing work closer to home, too. Our Future City is a project that brings together educationalists with professionals from the arts, culture & heritage sector to improve “the lives and life chances” of children and young people in the city through an engagement with creative practice. Simon’s been helping them think about the impact of digital media on young people and how they might develop a programme around “digital skillfulness”. It’s also been great to be working once again with our old friend Marc Jaffrey, OBE.
Following her success in last year’s UKBAA Awards and Tech City Awards, Sarah made the Maserati 100 list, which celebrates those helping to build the UK’s entrepreneurial ecosystem. There’s also been a fair bit of public speaking for us both, with engagements for (among others): Mass Challenge/Wayra, Cass Business School, the Digital Catapult, Goldman Sachs, the Association for Cultural Enterprises, Brighton Aldridge Community Academy… the variety alone should give you a good impression of how diverse our work has been over the year. Oh, and of course we’ve kept up our long-standing associations with UKTI and Innovate UK.
Lastly, I’m still managing to keep my skin in the creative game, with my DGMFS Media project now releasing digitally-distributed music: my own, and that of friends and fellow travellers. If nothing else, it’s an education about what it means to be a creative practitioner in the digital age.
That’s it for now: just a snapshot, as I say. As ever, you can keep up with us on twitter: @turnipshire, @simonphopkins and @angelacademe. We’ll try to back here with another update before the year’s out 😉